Foreign Films

I just finished watching a beautifully eerie Russian movie called The Return, and it got me thinking about why I love foreign movies so much. I generally watch these movies by myself, since most people, even if they like the occasional foreign movie, tend to get a little bit restless at the thought of sitting through some unknown film that involves the tedious task of reading subtitles. Of course, one of the reasons I like foreign movies is because I find the subtitles themselves appealing; I have substandard hearing and have a particularly difficult time with voices. Foreign movies are a very practical alternative for someone with my level of hearing loss.

Yet that remains only a small, superficial aspect of my taste for foreign films. I enjoy the practicality of subtitles, but I also enjoy taking in the subtitles as bits of written language. In that sense, foreign films become mixed-media art forms, combining the visual and auditory images with the printed word as it appears on the screen. To love foreign films, you must also love reading and language; reading the closed captions of an English-language film can involve some of this pleasure, but foreign films transcend the clarity of that experience.

Foreign films take film to a different poetic level, in which the viewer (unless he or she is fluent in the language) hears the words only as pure sound, even while he or she also absorbs the visual, active imagery of the film and the separate level of poetry as represented by the subtitles on the screen. Viewing a foreign film becomes a multifaceted, complex experience, akin to hearing a poem read for the first time, and then reading it again and again for meaning. With a foreign film, however, this experience is compressed, so that we heard sound and see image even as more literal meanings unfold in front of us. Film in any language can approximate this experience, but I believe in foreign film it can be seen in its purest sense.

Of course, I also like foreign films for the more commonly expressed reason that foreign films do not shy away from complex and ambiguous endings in the way that American films do, and for the fact that so many foreign film cultures seem more amenable to meandering plots and poetic expressions of human conflict. I like foreign films because they are different, after all; by exploring and probing difference, we can discover those truths that lie beneath all human experience.